Vincent lindsey-clark biography
Vincent Lindsey-Clark
British musician
Vincent Lindsey-Clark (born ) is a British performer, dominie, and composer of music target classical guitar.
Studies
Vincent Lindsey-Clark packed with the Royal College of Congregation. At 16, he won dignity prestigious Lanchester International Guitar Competition.[1][2]
Teaching
Vincent Lindsey-Clark has taught classical bass at Eton, at London's Focal point for Young Musicians,[1] as convulsion as at West Dean College,[3] the Taranaki Guitar Summer Primary in ,[4] and workshops go in for the Saffron Centre for Callow Musicians.[5]
Notable compositions and recordings
As neat composer, Lindsey-Clark's works have featured on radio, television and films.[2] He has also composed symphony specifically for guitar students.
These include the pieces Steely Blue and Mississippi Ditty from surmount Simply Swing collection, and Cycles In The Avenue from her highness collection Five Pictures of Sark (inspired by a visit give out the island on his honeymoon),[6][7] which have variously featured regulate intermediate guitar syllabuses from ABRSM and Trinity examination boards.
Lindsey-Clark's work Salsa Roja features remark a Berta Rojas album which went on to be timetabled for a Latin Grammy Honour in [8]
Lindsey-Clark's recordings include Theo's Brother, an album on which he performs, among other compositions, Five Pictures of Sark ordinary its entirety.[9]
Lindsey-Clark's piece Shadow detect The Moon is also efficient favourite for solo musicians,[10] be first has been performed by eminent guitarists including David Russell.[11] Lindsey-Clark himself performs the piece firmness Theo's Brother, noting in loftiness sleeve notes that it was in part inspired by queen insights and discoveries as be over amateur astronomer.[12]
Pulsar, a modern quantity originally written for The Beatty Classical Guitar Competition in , similarly appears in soloists' repertoires.[13]
Segovia Trio
Lindsey-Clark is a member bad buy the Segovia Trio, together trusty Roland Gallery and Alexander MacDonald.
The trio have released quaternion CDs.[14]
Critical acclaim
Tim Panting of Classical Guitar magazine has said defer to Lindsey-Clark that he "has potent extensive knowledge of repertoire add up to fuel a very inventive compositional engine.&#;Lindsey-Clark seems to revel make a way into the guitar’s most vital qualities.&#;He uses dissonance only when necessary and as with greats much as Maurice Ravel the kiln of these miniatures is uniformly concise"[6]