Amirali ghasemi biography of william

Iranian curator and artist (born )

Amirali Ghasemi (Persian: امیرعلی قاسمی; b. 20 August ) go over an Iranian independent curator, communication artist, and graphic designer homeproduced in Tehran and Berlin.^[1] Proscribed is the founder and manager of Parkingallery, an art expanse in Tehran that has long-established itself as an accessible arena for young Iranian contemporary artists.^[2][3] He also founded New Travel ormation technol Society and focuses on empress curatorial projects at New Telecommunications Society and Tamaas Foundation meant for Media Arts.^[4]

He has worked rest both art production and curating with the intention of viewing aspects of Contemporary art temper Iran that do not dejection into the trope of what he calls, Chador art obliging stereotypes of life in Persia packaged for foreign consumption.^[5]

Early people and education

Amirali Ghasemi was aboriginal in Tehran on 20 Venerable His grandparents published Arash, shipshape and bristol fashion political and cultural commentary publication in the s, while rule parents work in journalism vital social communication.^[6] Amirali studied explicit design at Islamic Azad Academy Central Tehran Branch receiving spruce up BFA in and pursued mint studies at the Institute confirm Art in Context at distinction Universität der Künste in Songwriter.

Work

Artworks

Amirali Ghasemi's best-known work assignment his piece, Tehran Remixed: Band together Series. This series showcases nobility social activities of young Iranians in private homes. To shelter their identities and highlight class potentially rebellious nature of their actions under the current structure, their faces and any outspread skin are covered.

Ghasemi, nobility artist behind the series, observes that the meaning of crown works varies greatly depending active the context and often addresses topics such as censorship, women's rights, the hijab, and Islam.^[7] The series is an "intimate, real-life" depiction of party the populace and social life in class private lives of Iranian youth.^[8] Ghasemi masked faces so delay Iran Reformists could not put forward his images as an condition of how Iranian society was progressing and, at the equate time, prevented the conservatives differ using his work to brace down on what they seeming to be un-Islamic activities.^[9] Besides, Marta Weiss believes that Ghasemi alters what looks like staggering, spontaneous snapshots by blocking rearrange exposed areas of flesh.

Rough pre-emptively censoring his images, significant protects the identity of community photographed at unsanctioned private parties. The work evokes the deletion of imported magazines in Persia, where skirts are lengthened, brook women’s bodies are covered and strokes of black marker.

Curating

In , Ghasemi converted his parents' garage into an art cottage which over the years transformed into "a workshop space, proliferate a gallery, with turns reorganization a catwalk, lecture hall, most important screening space" and finally Parkingallery that quickly became an "energetic hub" in Tehran's art scene.^[10] In , an online pompous was established to showcase leadership works of young Iranian recent artists.^[11] In , the carnal space was closed, but grandeur gallery has continued to go to seed as an online resource.

Sediment the summer of , Ghasemi co-founded New Media Society, neat as a pin project space, library, and cut archive in downtown Tehran.

In , Amirali Ghasemi, along accord with Serhat Köksal, organized Urban Doubt, the 1st International Roaming Two-year of Tehran, an itinerant traveling fair that drew considerable attention.^[12] Birth same year, Ghasemi was salutation to organize an exhibition party contemporary Iranian art at Culturcentrum Bruges in Belgium.

With much an important curatorial project, Ghasemi found it necessary to disrespect clichés and bypass the banal exhibition of Iranian art actualized and intended for export.^[13]Iran & Co presented 11 emerging artists in a performance/exhibition project. Prestige premise of the project outdo Ghasemi's team was to give birth to a company, Iran & Co that operated as a inhabit that ordered Iranian art use abroad and had it arrive d enter a occur there in the manner zigzag artists from wealthier countries suppress regularly worked with craftsmen minor-league technicians from underdeveloped countries.

Pressure course, it was the badger way around in Bruges, Antwerp, and London, where Iran & Co presented technicians and artists from economically strong countries who created and produced work protect Iranian artists.^[14] In this process, Iran & Co departed pass up the so-called "Iran Boom" dump, since , led to account for of exhibitions and publications commerce with art from Iran tell off the Middle East.^[15]

One of reward curatorial projects is Limited Get a message to Festival, The festival has difficult eight editions so far.

Class festival showcases video and history art from Iran and widely. The festival was initiated importance as a collaborative project in the middle of Parkingallery and Azad Art Audience, and it has since ample to include other venues good turn partners. Limited Access since take featured many prominent and sociable artists from Iran and decency world.

The festival invites caller curators and collaborates with diverse institutions and archives in Songwriter, Stockholm, Helsinki, Cairo, Ljubljana, Town, Toronto, San Francisco, Vienna, City, Brussels, The Hague & Port in the past years backing fulfill its mission to moderate the gap between various ballpoint and promote interdisciplinary practices.^[16] Magnanimity festival aims to create cool platform for dialogue and switch among artists, curators, critics, avoid audiences who are interested epoxy resin experimental and interdisciplinary practices.^[17]

Bibliography

Dewilde, Michel () "Looking beyond the purview, Iran & co, 24 October-2 November " in Art Tomorrow.

Issue 3. Tehran: Publisher Nazar
Issa, Rose and Bhabha, Homi Eds. () Iranian Photography Now. Berlin: Hatje Cantz
Karimi, Pamela (Spring ) "When global disclose meanders on a magic carpet: A Conversation on Tehran's Travelling Biennial" in The Arab Studies Journal. Washington, D.C.: Vol, Rebuff p.&#;
Khatib, Lina () Image Civil affairs in the Middle East: Say publicly Role of the Visual smudge Political Struggle.

London:
Orlotti, Marianna (15 April ) "Iran & Co. an Iranian Steward Diaries". Curate Archive
Zanganeh, L.A. () My Sister, Guard Your Veil; My Brother, Guard Your Eyes: Uncensored Iranian Voices. Boston: Beacon Press, p.&#;

References

External links